The University of Melbourne
Browse

ALYSON CAMPBELL

Professor of Theatre (Creative arts and writing)

Melbourne

Publications

  • Bison
  • Introduction essay to Bison/Colder
  • Translating'Gaytown': The collision of global and local in bringing Australian queer play bison to belfast
  • Special section on Queer Futures Working Group, International Federation of Theatre Research
  • The Trouble with Harry by Lachlan Philpott
  • The Trouble with Harry, by Lachlan Philpott
  • Experiencing Kane: An'affective Approach'to Sarah Kane's Experiential Theatre in Performance
  • Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making’
  • Queer Performance and Contemporary Ireland: Dissent and Disorientation
  • Baking Cake Daddy: transforming fat-phobia to fat-positivity with a slice of fat-queer subversive fun to fatten the stage
  • Interview with sarah schulman: Corporate culture, HIV criminalisation, historicising AIDS and the role of women in ACT UP
  • GL RY: A (W)hole lot of woman trouble. HIV dramaturgies and feral pedagogies
  • Queering Pedagogies
  • Theatre and the archives: Directing as erotohistoriography
  • Taking an Affective Approach to 'Doing' Queer Histories in Performance: queer Dramaturgy as a Reparative Practice of Erotohistoriography
  • Introductions to Parts 1,2,3
  • WHoLE
  • The Pirates of Portrush
  • Colder
  • Blood, Shame, Resilience and Hope: Indigenous Theatre Maker Jacob Boehme’s Blood on the Dance Floor
  • In conversation: Finding community and wellbeing through the creative practice of the "Feral Queer Camp"
  • Feral Queer Camp
  • The Trouble with Harry
  • The Trouble with Harry (Australian Premiere)
  • Le Monkey Homosexuel: The role of Ruth McCarthy's queerzines in Northern Ireland in the 1990s and 2000s
  • 4.48 Psychosis
  • Translating ‘gaytown’: the collision of global and local in bringing Australian queer play Bison to Belfast
  • HIV and Aboriginal and Torres Strait Islander Performance: arguments for the place of the arts in health education
  • HIV and Aboriginal and Torres Strait Islander Performance
  • GL RY Belfast, Tea Dance and GL RY:US
  • promiscuous/cities
  • Strategies in The Underhe(a)rd: Listening in to New Compositional Queer Performance-making
  • Crip/Queer Performance: A Dialogue with Margrit Shildrick and Robert McRuer
  • Embracing Feral Pedagogies: Queer Feminist Education Through Queer Performance
  • The Butch Monologues: Performance as a Bridge from “Border Wars” to “Playground”
  • On Care-fulness: Critical Creative Expressions of Care in a Feminist Theatre Research Project
  • Oh wow! He's queer! Queering Panto in Belfast: An Interview with Ross Anderson-Doherty
  • GL RY
  • Adapting musicology's use of affect theories to contemporary theatremaking: Directing Martin Crimp's Attempts on Her Life
  • Going Feral: Queerly De-Domesticating the Institution (and Running Wild)
  • Viral Dramaturgies HIV and AIDS in Performance in the Twenty-First Century
  • Bison and Colder
  • The Trouble with Harry - Introduction
  • ARTISTIC REPRESENTATIONS OF HIV IN NORTHERN IRELAND: HOW THE ARTS CAN CONTRIBUTE TO HIV AWARENESS, PREVENTION AND STIGMA-REDUCTION IN A CONSERVATIVE ENVIRONMENT
  • Queer Practice as Research: A Fabulously Messy Business
  • From Bogeyman to Bison: A herd-like amnesia of HIV?
  • Cake Daddy
  • Queer Dramaturgies: International Perspectives on Where Performance Leads Queer
  • Introduction: Queer Dramaturgies
  • Contemporary Queer Theatre and Performance Research: A Forum by the Queer Futures Working Group. Introduction
  • Experiencing Kane: an'affective approach'to Sarah Kane's experiential theatre in performance
  • 4.48 Psychosis by Sarah Kane
  • Le Monkey Homosexual:
  • The Trouble with Harry. Introduction to published script.
  • Experiencing Kane: An affective analysis of Sarah Kane's 'experiential' theatre in performance
  • It aint over 'til
  • An HIV Love Story: Jacob Boehme's Blood on the Dance Floor's Queer and Indigenous Revolt
  • Queer Performance. Special Issue Australasian Drama Studies.
  • EDITORIAL: QUEER PERFORMANCE
  • What’s Queer about Queer Performance Now?
  • Performing Credibility
  • Dramaturgical Thinking: A Creative Conversation About Australian Dramaturgy
  • Co-conspiracy: An Intergenerational Dialogue on Queer/ing Dramaturgy
  • Knowledge translation strategies used for sustainability of an evidence-based intervention in child health: a multimethod qualitative study
  • Evaluation of the readability, understandability, and actionability of COVID-19 public health messaging in Atlantic Canada
  • Backpages 33.1-2
  • Locating Care in curating queer performance in Belfast and Manchester:Gemma Hutton and Greg Thorpe, interviewed by Alyson Campbell, Meta Cohen and Stephen Farrier

ALYSON CAMPBELL's public data